Darkness and Light: Two Paths to Sorrow The use of descriptive view in Nathaniel Hawthorne’s short story, “ materialisation Goodman brownness” and the metrical composition, “Patterns”, by Amy Lowell, is extremely vivid. At first coup doeil it cut ons as though the descriptive scenery in for each one is completely antonym to the other, but a closer manifestation reveals subtle similarities. “ late Goodman chocolate-brown” is a unconsolable bilgewater that leaves you with a consciousness of evil and fear by using lecture such as dreary, darkened, gloomy and sorrow. The forest through which tender Goodman Brown is traveling is dark, almost formless by his description with changes in the landscape so subtle, it is almost dreamlike. The reader is leftover to wonderment if the tale ends up being just that; a dream. demolition is also a theme with the end of the tale mark by the gloom of his dying ho ur and dark description of the corpse. The forest is old and so be the companions. Young Goodman Brown’s dead father and grandfather are brought into the story, beckoning him to descend their footsteps in the tradition of witchcraft or fray worship. At two different points you get the impression by the mention of “pink ribbons” that his wife, Faith, is in great danger.

The “pink ribbons”, signifying entrust and duty are the only mention of bright food color in the story. Finally, the entire story takes place at night, in a foreboding forest, hidden under the cover of darkness. By contrast, “Patterns”, is multicoloured with co lorful imagery. Brightness and beauty, light! and youth appear to be themes in this poem. Initially, the descriptive imagery used present makes the poem seem frivolous and silly. The author focuses much of her forethought on her fashionable dress and “ribboned shoes”. She takes sequence to report in detail the garden through which she walks implying that she spends a piling of time there. The apparent innocence of the purpose of her time...If you want to get a full essay, order it on our website:
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